Silent films, Streetcars and super exciting sojourns!

I haven't posted here since what I later realised was Valentine's Day (only the coolest of girls spend the ~most romantic day of the year writing blog posts about Shakespeare and fake sheep), because life seems to have SPIRALLED OUT OF CONTROL somewhat, not quite giving me time to get a foothold.

I expected the past fortnight to be a little calmer (not least because the first five days were Reading Week, the euphemistically titled break from studies that encourages most people to piss off on holiday), but with a formative phonetics assignment, several articles to write and subedit for my freelance job* and a smattering of this thing I believe people call a social life, I found myself with less time than ever. Throw in a motherbitch of a cold and the last fortnight pretty much flew by in a glorious, mental blur.

I did, however, manage to take in some culcha, feelings about which will be vomited below, in traditional listy format.

THE ARTIST
Bringing the grand total of main 2012 Best Picture Oscar nominated films I have actually seen to one, I got to see The Artist on Thursday evening. But, to be fair, it was the only one that, on the surface, made me want to watch it (aside from Tinker, Tailor, which I need to get on asap, because god knows I love me some tragic homosexual spies).

While I'm not sure it deserves the utter, unrelenting adoration it has received in every single way (in that, while wonderful, it was flawed), I bloody loved it. The combination of the novel, unique cinemagoing experience, vintage charm of the era, beautiful direction and extreme handsomeness of Jean Dujardin (more on that later) made it an utter delight from start to finish.

The direction was, as I said, beautiful; one shot in particular, in which George Valentin is angstily sitting at a mirrored table, and pours a glass of whiskey over his reflection on the surface, was really just staggeringly well done. The costumes were stunning, and I'm not quite sure who was more adorable, Berenice Bejo or Uggie the dog (utter scene-stealer)**.

While George Valentin was perhaps a tad whiny as a character, Jean Dujardin was heartbreakingly good at both beaming swagger and utter dejection. Also, as Emma has previously put it, his face should really just be pictured adjacent to the 'handsome' entry in the dictionary.

I mean REALLY. That's basically just obnoxiously handsome***.

The music was perfectly lovely, and I loved the experience of seeing a silent film (though I am Team Talkies - sorry George!). I found myself holding my breath in parts, terrified of disturbing the silence, and I admit that other people's rustling becomes that bit more frustrating in this setting, but I wouldn't give up the cinema experience of The Artist for a DVD viewing in a million years.

A STREETCAR NAMED DESIRE @ Liverpool Everyman
(once again, I have taken the majority of this review from a shameful email to Rob)

A brilliant, uncomfortably intense production of a play I was utterly unfamiliar with (I do shame myself with my ignorance at times) before Saturday afternoon. Weak in parts, Amanda Drew and Sam Troughton shone in the most painful way.

I admit, I was kind of ruined for at least the first half-hour, because dear lord some of the accents were ATROCIOUS. I'm no expert on the specifics of the New Orleans accent, but the supporting cast were jarringly bad at the start, and it made it very, very difficult to engage with the characters straight from the off. It seemed so pantomime, so distant, if that even makes any sense. Amanda Drew and Sam Troughton were much better, but Matthew Flynn (Mitch) in particular was in and out like a yoyo! Which is such a shame, because his performance was heartbreakingly good.

The stage was three-quarters of a room, which rotated to reveal an outside spiral staircase at the side and occasionally only gave us shots of the action through an open window, which I really liked. You could really feel the stickiness and claustrophobia of the tiny apartment, and how much that must have driven Blanche to distraction, particularly being so close to Stan.

Amanda was undoubtedly the star - she was INCREDIBLE. When we first meet Blanche it was really, really hard for me to see her as a real person; because her extended periods of solo dialogue seem so unnatural and staged, she seems like a written character rather than an actual person, if that makes any sense. She's SO dramatic and SO verbose that she seems ridiculous, but as the play continues and you see that it's just her, and that verbal diarrhoea is her reflex, her being terrified of silence and being alone, a frantic need to talk and talk and have someone listen (which plays off so heartbreakingly well against Mitch's need to have someone talk to him, oh my soul).

AND SAM TROUGHTON. Having only seen Sam as doe-eyed hopeless cases, I was completely unprepared for Stan's swaggering dickishness, but he absolutely killed it. He's basically all chest, and it is MAGNIFICENT. His Polish-American accent was very strong, and he was masterful at that sinister sexiness that absolutely made you understand why Stella fell in love with him in the first place, and remains so entranced by him. He was equal parts menacing and heartbreaking, and filled the stage brilliantly.

Also, and I am toning down the creepy A LOT right now, daaaaaaamn Troughton! Where'd you get them arms? Flex them for me a little more! Grasp that bottle/doorframe/wrist a little harder! Oh God I hate myself, but he was ridiculously attractive, and spent a good 40% of the play changing his shirt.

And this one time he totally poured a bottle of beer all over himself while wearing a vest.
It was awesome.

UNIVERSITY CHALLENGE!!!!111!1!1!!
So on Sunday, in what was basically the pinnacle of my existence, I got to go to Granada Studios in Manchester to watch the filming of University Challenge. Since my darling friend Becky ass-kicked her way into the captain spot, I've been spending an awful lot of time with the team as they've trained (having subsequently come to accept my own extreme intellectual inferiority), and have become disgustingly fond of them all. They're all wonderful, stupidly smart humans, and I was so honoured to have been able to go and watch them.

Of course, as this series is not airing until July, I am strictly verboten from divulging any of the scores or successes, but I can give you a giddy account of the day - which, I'm sure you'll agree, is even better.

I TOOK THIS PICTURE. THAT'S HOW CLOSE I WAS.

Arriving late, I was made to sit on my own at the front, and thus had to contain my ridiculous excitement at being on the University Challenge set oh my godddddd. INSIDER FACT: they hold the nameplates on with sellotape. Oh yeah, no expense spared. I eventually found some people supporting Warwick Uni, who were just as exuberantly hyperactive as I was, and spend a good few hours freaking the fuck out every time we heard the theme tune or Paxman walked past.

SPEAKING OF PAXMAN: there's some feelings I never thought I'd have. He's kind of simultaneously the worst person - really rude and obnoxious, quite stroppy and a little too overly fond of Oxbridge colleges for my liking - but also brilliant - he was fab with the teams, and cracking jokes throughout. Also, the commanding thing? Yeah. Pleasant.

He also may have walked past us on the way out and I may have taken a photo. Just a little bit.

We got to watch four matches, and all of them were brilliant. We also did a lot of scary 'filming the audience applauding' shots, so there's my claim to fame for the next ten years sorted. Basically, it was the best day ever, and the York team are my absolute heroes for dealing with the utterly terrifying prospect that is Jeremy Paxman firing questions at you at speed.

Man, this blogpost got LONG. I'm going to go drink tea with Bri before salsa class. Laterz.

*I write and subedit for publicservice.co.uk, by the by.** HE WORE A FUCKING BOW TIE TO THE OSCARS KILL ME.
*** If you have been intrigued by this ridiculous specimen of handsomehood (if not, have you not eyes?!), then I insist you go here to briefly luxuriate in his extreme handsomeness, and here to see how fucking adorable he is in real life, too.